Vocal Jazz Camp

The Faculty


Peter Eldridge

Peter Eldridge continues to combine his talents into an eclectic mix of performing, composing and arranging, recording, as well as teaching.  Peter was head of the Manhattan School of Music’s jazz voice department for eighteen years and is now part of the voice faculty at Berklee College of Music in Boston.  Peter is also an artist-in-residence at Western Michigan University.  He has four critically acclaimed albums: Stranger in Town, Fool No More, Decorum, and Mad Heaven. His latest studio project, Disappearing Day, was released in July 2016 on Sunnyside Records and called “an out and out masterpiece” by allaboutjazz. Disappearing Day made many ‘best of the year’ lists, including Downbeat, Jazziz, and NPR. Some of Peter’s current projects include his first full-fledged musical with the working title of ‘The Woman in Question’, co-written with Chicago playwright Cheryl Coons about the life, loves, and art of Austrian painter, Gustav Klimt; an upcoming recording of ballads with string orchestra and jazz trio, featuring pianist/arranger Kenny Werner and cellist Eugene Friesen, and Foolish Hearts, an acoustic duo featuring Peter with bassist Matt Aronoff.



Lauren Kinhan

Vocalist and composer Lauren Kinhan has been creating genre-merging music for over 25 years as evidenced on her CD’s, Avalon, Hardly Blinking and her latest smash success, Circle in a Square, as well as contributing to New York Voices’ recordings. Her musical ideas shake up the traditional confines of jazz, pop and everything in between and offer instead, the listener an experience led by an accomplished, creative and curious mind. Legendary Phil Ramone describes Lauren as a true songstress.  Her training in jazz and deep connection to soul music has developed a voice that is expressive and fearless while her love of prose keep her dreaming of ways to lead her listeners on different adventures. Christopher Loudon from Jazz Times says, “Sweet surprises lurk around every corner… shaping a pastiche that is hip, intelligent and vibrant.”  And says about Circle in a Square, “Lauren has never shone brighter.”



Darmon Meader

Recognized in both the jazz vocal and instrumental worlds, Darmon Meader is a highly respected vocalist, arranger and saxophonist. Darmon has achieved international recognition as the founder, musical director, chief arranger, composer, producer, saxophonist, and vocalist with New York Voices. As a member of New York Voices, he has released numerous recordings on the GRP, RCA/Victor, Concord and MCGJazz labels. In 2013, NYV will release two new CDs: New York Voices, Live with the WDR Big Band Cologne and their long awaited Christmas CD, Let it Snow, both of which feature Darmon’s extensive arranging skills. In 2008, Darmon released his much anticipated debut solo CD, And So Am I. This solo project is a collection of jazz standards and original works, which reflects his varied interests and skills as a singer, saxophonist, writer and arranger.



Kim Nazarian

For the past 25 years Kim Nazarian has been harmonizing  the world over with the New York Voices (NYV). In 2012 Ms. Nazarian was recognized as one of the top 50 most influential Armenian artists, and inducted into her High School’s Hall of Fame. Along with the many recordings Kim has made with NYV, she is proud to be one of the featured voices on Bobby McFerrin’s “VOCAbuLarieS” CD. Another recent professional highlight is Ms. Nazarian’s collaboration with the Smithsonian Jazz Masterworks Orchestra and the Manchester Craftman’s Guild on a concert tour dedicated to the late, great Ella Fitzgerald. Kim also enjoys being part of a special program called “Vocalese,” (created by visionary producer, Larry Rosen), which integrates NYV with Manhattan Transfer, and Jon Hendricks.


Associate Faculty

In year’s past, the faculty has included:


Chris Buzzelli

Since 1984, Chris Buzzelli has been on the faculty of Bowling Green State University where he is Professor of Guitar and Jazz Studies, and director of the Vocal Jazz Ensemble. He has also served as adjunct faculty at the University of Michigan and the Oberlin Conservatory of Music, and has presented clinics and masterclasses at regional and national conferences and other colleges and universities around the nation. He has written articles for Jazz Educators Journal, Just Jazz Guitar, and American String Teacher, and has published a number of solo guitar arrangements and guitar ensemble compositions. He has contributed to numerous publications for Mel Bay Publications including their “Jazz Standards” series, “Guitar Ensemble” series and “Master Anthology of Jazz Guitar Solos” series, and is author of “The Complete Book of Seven-string Guitar”. Many of his arrangements for vocal jazz ensemble are published by Sound Music Publications. He appears on several recordings, with two released under his own name. Buzzelli maintains an active performing schedule, mostly in the Northwest Ohio area, but has also played in some nationally recognized venues including the Classic American Guitar Show in Long Island, New York, the Chet Atkins Appreciation Society event held each summer in Nashville, and the first World Guitar Congress held in Towson, Maryland.



Greg Jasperse

As an educator, Greg enjoys teaching at several show choir and jazz camps in the US and Canada, including Rocky Mountain vocal Jazz camp, Showchoir camps of America, University of Manitoba Jazz Camp, and Western Michigan University Vocal Jazz camp. Throughout the school year Greg also enjoys his work as a clinician and guest artist at various festivals including University of Northern Colorado Jazz Festival, Millikin University Vocal Jazz festival, Musicfest Canada and Ontario Vocal festival. As a music director, Greg enjoys working with young and old alike. This includes music directing for 18 year old NYU sophomore Michael Craig as well as Serendipity, Chicago’s annual celebration of seniors on stage. He has music directed and accompanied Forever Plaid (Royal George Theater) Clint Holm’s “Comfortable Shoes” (Royal George Theater) and Barry Manilow’s “Could It Be Magic” (Music Box Theater).



Rosana Eckert

Rosana Eckert is an internationally recognized live and studio vocalist, songwriter, arranger, jazz educator, and voice-over talent based in Dallas, TX. As a vocal artist, she has recorded four solo CDs and performs regularly throughout the United States and Canada. She has had the pleasure of performing with such jazz greats as Lyle Mays, Kenny Wheeler, George Duke, Jon Faddis, Marvin Stamm, and Bobby McFerrin, and she toured Europe and Scandinavia as a sub in the Grammy Award-winning vocal quartet New York Voices. Her debut CD, At the End of the Day, was praised as “an occasion for celebration” by AllAboutJazz.com and “a superior debut” by the prestigious Cadence Magazine, and the CD was a finalist for Best New Jazz Album in the 2006 Independent Music Awards. Her newest CD, Small Hotel, once again showcases her knack for songwriting as well as her unique arranging style.



Jay Ashby

Associate Professor of Jazz Arranging and five-time Grammy Award-winning producer Jay Ashby is the recipient of multiple nominations in categories including arranging and engineering. Ashby is also known for his performances with such music icons as Paquito D’Rivera and Paul Simon, making him an exceptional musician and one of the most highly regarded performers and arrangers working in the field today. Ashby has performed, toured, and recorded with some of the most renowned jazz artists in the industry for over 25 years. As a member of Dizzy Gillespie’s United Nation Orchestra and Dizzy’s Alumni All-Star Big Band, Ashby forged long lasting musical relationships with jazz greats including Jon Faddis, Monty Alexander, James Moody, Jimmy Heath, Randy Brecker, Slide Hampton, and Bennie Green, among many others. Through his association with trumpet master Claudio Roditi, Ashby developed a strong affinity for Brazilian Jazz, which led to a ten-year stint as soloist with Astrud Gilberto, as well as arrangements, tours, and recordings with numerous Brazilian artists including Tania Maria, Kenia, Ivan Lins, Trio Da Paz, and the fathers of Bossa Nova Joao Gilberto and Antonio Carlos Jobim.

View Jay’s Full Bio on the Oberlin Website